![]() It is really important to see how these programs work with finishing tools. It is pretty important to be using the tools that others in your industry expect. Some software no matter how great has no traction in that market. I grinned broadly at the author's comparison of Lightworks to a flatbed! Of course it is! This is the only review I have read that distinguished between a young editor willing to learn new software and an old dog.Įach of these softwares targets a different market segment and has different requirements. I carry my settings and jog shuttle with me. I've flirted with X, with Premiere CS6 and many others Incite, Edius, Media 100 but I still love my Avid. I remember the older FinalCut versions had absolutely idiotic shortcuts - I think D was mapped to "Duplicate clip" or something silly.Ĭutting on the Avid is like being married: she grows on you and nothing else feels right. ![]() Placing the playhead where you want it and knowing the equivalents of XCVB and match-frame gets 90% of the job done. Like most professional editors, I can edit on pretty much any system that you throw at me. I've been editing since the days when tape was pre-striped and when "hit record" required a mental countdown during pre-roll.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |